Collection of rare unreleased material. This is more of a demo of the first album, but it is a very great listen. A bit unpolished, but if you liked the self titled album, you'll like this.
Dual male/female vocals set this record apart from most of its time. Kissing Spell Records: "The Mourning Phase demo-LP was discovered in 1992 and later sold for a 4-figure sum to a “collector”. It appeared to be a test pressing, dated 1971, with a hand-made cover. Lyrically interesting, the densely layered acoustic/electric music seems merely to serve as a vehicle for the love/hate relationship of, speculatively, the male and female vocalists. Cynical, misanthropic, (with and occasional cello), and a cover based on an impressionist painting. Mourning Phase is surely the archetypal home-made art-student LP."
Although many have written her off as a Joni Mitchell clone, I must beg to differ. Linda Perhacs' vocals are very intimate and bittersweet. Actually, the only way Joni Mitchell could make a record like this would be if she took a large amount of LSD. The multi-tracked vocals are one of the best things about this album. This is very good music that will calm your soul and possibly open your mind.
This is an extremely catchy record. The recording is lo-fi, but that only adds to the music. The album is a private pressing from 1974 that was only recently discovered. "Dark and broody electric folk with a weird dreamy atmosphere." Only one known surviving copy of the original vinyl LP. A kind of album that is perfect when you need sad songs on a rainy day.
This is one of those times when I get to call bullshit on allmusic.com. They begin their bio of Ramases, "His one and only album for the label," although there is another album that was released on the Vertigo label in 1975.
This is a concept album, bringing the P.O.V. directly from the Egyptian deity. This brings to you a very spacey, dark, and at sometimes abrasive folk rock album. 10cc were his backing band, which fills out this record quite nicely.
This is the lone LP from 1973 by a Hawaiian group that was privately pressed at the time and largely unknown until a few years back. Mixing frail female vocals, a variety of string instruments, and synthesizer this has a soft, delicate sound that was beautifully recorded. Clarity rings throughout these earthy, organic, spacey, and nearly gothic songs, and this record will most likely leave you wishing there were more albums like this.
Currently updated in a near-daily basis, this blog focuses on albums from before the year of 1980, and of obscure, limited, or minutely promoted release.
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